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By Dudu Dube | 2025-04-02
YESTERDAY, exciting developments unfolded for local artists as the Eswatini Copyright and Neighbouring Rights Society (ESWACOS) officially started collecting data, essential for the management of music licences.
This pivotal step follows the recent submission of a music tariff to the ministry of commerce, industry and trade, a move that signals significant changes for local artists.
Executive Director of ESWACOS Mmeli Hlanze, expressed his enthusiasm about the initiative.
“We are excited to share that yesterday we were officially starting with the data collections. This will be done quarterly, and we will be visiting broadcasters weekly,” Hlanze stated.
He said the commitment to regular interactions with broadcasting stations was designed to ensure that every music played was accurately reported, particularly that of local artists.
The groundwork for this initiative was laid during a public presentation on November 5, 2024, at the Hilton Hotel, where various stakeholders were consulted. Hlanze noted.
“After the draft was presented to the public, there were various consultations with stakeholders. The submissions were compiled and submitted.”
He said the collaborative effort was set to result in a more structured and supportive framework for artists in the country.
He added that once the music tariffs were finalised and approved, ESWACOS will begin the collection and reporting process for royalties, including payment mechanisms.
Hlanze emphasised the importance of transparency in this process, stating, “It is essential for broadcasters to inform ESWACOS about the music they are playing on air, especially when it involves local artists. This accountability will enable ESWACOS to make accurate calculations and distribute royalties fairly.”
The organisation plans to apply a post-payment method after collecting initial data. Hlanze explained, “We will be applying the post-payment method as we still needed to collect data first.”
He said the collections for music usage was slated to occur quarterly, with the first invoices sent out after the initial quarter based on the captured data.
Hlanze reiterated ESWACOS mission to ensure that creators receive fair remuneration for their works. “As the ESWACOS moves forward with its plans for tariff finalisation this month, local artists can anticipate a more structured and supportive framework for the protection of their rights,” he added.
He noted that the commitment to transparent and efficient royalty collection, aims to bolster the economic interests of copyright holders.
By protecting copyright and neighbouring rights, Hlanze said ESWACOS strived to promote innovation, creativity and economic growth within Eswatini.
He concluded, “Through effective licencing agreements and transparent collection processes, ESWACOS is poised to empower creators and enhance the overall creative landscape in Eswatini.”
He said artists can look forward to the distribution of music royalties by the 2025/26 financial year, marking a monumental step towards enabling them to earn a living from their creative works.
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